ride me like a wave

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vintage-gay-ride-me-wave

hide me in your hollows
taste the salt that clings to me
shipwrecked in your shadows
scented by the sea
hide me in the wisdom of your thighs
ride me like a wave

chart my secret places
navigate my shores
map the ocean’s traces
lick them from my pores
dry me with delusion and desire

ride me like a wave

cover me in spray

promise you will stay


Text: Ride Me Like a Wave, Janis Ian (excerpt)
Audio: Ride Me Like a Wave,
words, music, performance by Janis Ian
Image: Photographer, sitters, unknown,
via bobster855/creativecommons/flickr

men behind bars: you would have done the same

The L.A. Gay Men’s Chorus with an all-male take on the Cell Block Tango from Kander and Ebb’s Chicago.

for the one I love most lay sleeping by me

WHEN I heard at the close of the day how my name had been receiv’d with plaudits in the capitol, still it was not a happy night for me that follow’d;
And else, when I carous’d, or when my plans were accomplish’d, still I was not happy;
But the day when I rose at dawn from the bed of perfect health, refresh’d, singing, inhaling the ripe breath of autumn,
When I saw the full moon in the west grow pale and disappear in the morning light,
When I wander’d alone over the beach, and undressing, bathed, laughing with the cool waters, and saw the sun rise,
And when I thought how my dear friend, my lover, was on his way coming, O then I was happy;

vintage-gay-bed-arm-whitman

O then each breath tasted sweeter—and all that day my food nourish’d me more — and the beautiful day pass’d well,
And the next came with equal joy — and with the next, at evening, came my friend;
And that night, while all was still, I heard the waters roll slowly continually up the shores,
I heard the hissing rustle of the liquid and sands, as directed to me, whispering, to congratulate me,
For the one I love most lay sleeping by me under the same cover in the cool night,
In the stillness, in the autumn moonbeams, his face was inclined toward me,
And his arm lay lightly around my breast — and that night I was happy.



Text: Walt Whitman, When I Heard at the Close of the Day
No. 11, Calamus, Leaves of Grass, 1860
Image: Photographer/subjects unknown, via varones/flickr

is it possible to be tattooed by someone’s soul?

vintage-gay-underwear-photo

Is it possible
to be tattooed
by someone’s soul?

Only with eyes closed
can I trace outlines,
a slight raise on my unmarked skin
(even in creases: inner elbows,
between fingers and toes).
The designs always familiar
but too abstract to identify.

I mean, can one be widowed
by the living?

Carting the blank stone
from days into dreams
toward an open grave
in my front and back yards,
basement, bathtub.
Ever eluded by the body,
not the scent.

And if there is someone else one day,
will he sense this presence?

The fine slip beneath
my rumpled clothes.
The railing I reach for
even on shallow stairs.

Will you, Christopher,
be the mosquito netting
draping my honeymoon bed,
swaying almost imperceptibly in the dark
but allowing in breezes
that comb the hairs on my arms,
legs, chest?



Image: 1930s, photographer/sitter unknown
via DCwooten/flickr
Text: The Slip, Michael Montlack
Poem published in Ganymede, Issue 5, Oct. 2009

i like my body when it is with your

vintage-gay-threshold

i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh … And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new

Text: e.e. cummings
Image: Photographer and subjects unknown
via picassoswoman/flickr

perfection wasted

tobias-flore-paris-vintage-

And another regrettable thing about death
is the ceasing of your own brand of magic,
which took a whole life to develop and market–
the quips, the witticisms, the slant
adjusted to a few, those loved ones nearest
the lip of the stage, their soft faces blanched
in the footlight glow, their laughter close to tears,
their tears confused with their diamond earrings,
their warm pooled breath in and out with your heartbeat,
their response and your performance twinned.
The jokes over the phone. The memories packed
in the rapid-access file. The whole act.
Who will do it again? That’s it: no one;
imitators and descendants aren’t the same.


Text: Perfection Wasted, John Updike
Photographer: Herbert Tobias, ‘Le Flore,’ Paris, 1952

friendship

dapp-vintage-gay-sacrifice

Character is so largely affected by associations that we cannot afford to be indifferent as to who and what our friends are. They write their names in our albums, but they do more, they help make us what we are. Be therefore careful in selecting them; and when wisely selected, never sacrifice them.

Text: M. Hulberd
Image: Photographer, subjects unknown via daviddb/flickr

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à quoi ça sert l’amour?

Piaf’s finest.

Edith Piaf and Théo Sarapo, 1962
Words and music: Michel Emer

i invited him to choose between women and me

vintage-gay-take-my-arm-hil

I invited him to choose between women and me. I thought he was going to choose me and that he’d strive to renounce them. I was in error. “I risk making a promise,” he replied, “and not keeping it. That would pain you. I don’t want you to be in pain. Breaking off would hurt you less than false promises and lies.”

I was leaning against the door and I was so pale that he was frightened. “Good bye,” I murmured in a dead voice, “good bye. You gave my existence a meaning and an orientation and I had nothing else to do but lead it with you. What’s to become of me? Where am I to go now? How shall I ever endure waiting for night to fall and after it has fallen, for day to come, and tomorrow, and the tomorrow after that? How shall I pass the weeks?”  I saw nothing but a room swimming on the other side of my tears, and I was counting on my fingers like an idiot.

Suddenly he came to himself, waking as though from a hypnotic spell. He sprang from the bed upon which he’d been biting his nails, he clasped me in his arms, begged me to forgive him and swore he’d send women to the devil.

He wrote a letter to Madame V***, informing her that it was all over. She feigned suicide by absorbing the contents of a tube of sleeping pills, and we lived for three weeks in the country, having given no one our address. Two months went by, and I was happy.

It was the eve of an important religious holiday. Before repairing to the Holy Repast my custom was to go to have my confession heard by Father X***. He was virtually expecting my arrival. Crossing the threshold, I warned him that I’d come not to confess but to relate; and that, alas! I knew in advance what his verdict was going to be.

“Reverend Father,” I enquired of him, “do you love me?”

“I love you.”

“Would you be happy to hear that I find myself happy at last?”

“I’d be delighted.”

“Well then, rejoice, for I am happy, but my happiness is of a variety the Church and society disapprove, for it is friendship that causes my happiness and, with me, friendship knows neither boundary nor restraint.”

Father X*** interrupted me. “I believe, said he, “that you are the victim of scruples.”

“Reverend Father,” I rejoined, “I’d not insult the Church by supposing that she negotiates compromises or omits to cross the t’s and dot the i’s. I am familiar with the doctrine of excessive friendships. Whom can I deceive? God sees me. Why reckon the distance in fractions of an inch? I am on the downgrade. Sin lies ahead of me.”

“My dear child,” Father X*** told me in the vestibule, “were it but a question of jeopardizing my situation in heaven, the danger would be slight, for I believe that the goodness and mercy of God exceed all that we can imagine. But there is also the question of my situation here on earth. The Jesuits watch me very closely.”

We embraced. Walking home beside the walls over which poured the scent of gardens, I considered God’s economy and deemed it admirable. According to the divine scheme, love is granted when to one love is lacking and, to avoid a pleonasm of the heart, denied to those who possess it.



Text: Jean Cocteau, The White Paper (Le Livre Blanc), (1928), excerpt
Image: Subjects/photographer unknown, via Osvaldo_E/flickr

tango: black and white and gay all over

“Argentine Tango is to lead and follow, to step to & fro, to turn right & left, to move together as one body.

To Tango is to trust, to pause, to dance in a close embrace, articulating the unfolding of desire into passion.” — Dr. Hugo Heyrman



Film: All-male dance sequence from ‘Tango,’
written and directed by Carlos Saura
Music: ‘Calambre’ by Astor Piazzolla
Choreography: Julio Bocca
Principal Dancers: Julio Bocca & Carlos Rivarola
Clip/title hat-tip: Greg

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