web site story

What do Broadway and the Internet have in common? Nothing. One of them is a geographic location where lots of theatrical shows occur, the other is a network of computers. Metaphorically, though, they still don’t have anything in common. That doesn’t make this Internet-themed musical any less entertaining.

hat tip: Matthew Weissman

all i wanted was a few words from you

two-men-unhappy-tchaikovsky

If you do not want to write, at least spit on a piece of paper, put it in an envelope, and send it to me. You are not taking any notice of me at all. God forgive you — all I wanted was a few words from you.




Text: Piotr Ilyich Tchaikovsky to his young lover, Bob Davidov,
excerpt from a letter, 11 February 1893

Photographer,  subjects: Unknown

 

the day judy garland outed me

A light-bulb memory of a moment which revealed the real me to others — and to myself.

judy_garland_at_greek_theater

Rummaging through a box of books in the garage one day when I was 12 years old, I stumbled across a copy of the paperback edition of ‘Weep No More, My Lady,’* a biography of Judy Garland. Several forces drew me to the book, not the least of which were the drama of the cover photo and the melodrama of the title. Upon sighting the found treasure, a little gay gene in my homo-adolescent brain shouted “Judy Garland, YES!!!” I had to read it.

At twelve I was by no means the Judy fanaticweep-no-more I would one day grow to be, though of course I knew Dorothy Gale from ‘The Wizard of Oz.’ I had seen Judy a few times on the ‘Mike Douglas Show’ and ‘Merv Griffin’ and loved her self-deprecating wit and boozy charm. I’m sure there must have been a Judy album or two in amongst the hundreds of LP records my mother collected, though I honestly don’t remember listening to Judy Garland at that age. Whatever the driving force was, I carried the book off to my room to feed my burning curiosity.

If you can picture my bedroom circa 1974, it was 1970s-fabu and completely decorated by yours truly. I was immensely interested in interior design then and used money I made babysitting to outfit my teen bachelor pad.

kenneth-hill-1974
Me at age 12

The tufted faux-leather swivel chair, acrylic dome lamp atop the canary-yellow parsons table, and gold-veined mirror tiles applied to the “accent wall” made a statement I hoped David Cassidy would approve of. In one corner, set at an angle, was a mini bar my mom helped me build from unfinished furniture which we covered in chocolate brown stamped-vinyl tile. To all of this, add a stereo, gold shag carpeting, touches of macrame, and a white fur bed spread. In short, it was a perfect environment for reading ‘Weep No More, My Lady.’

One afternoon while my brother was out tossing a football with the neighbors and my 4-year-old sister was off playing, I was sequestered in my room drinking hot tea (that’s what I kept in the mini bar) and reading tidbits about Judy’s career and her final months with her handsome 35-year-old husband whose job was promoting disco night clubs. Someone gave a courtesy knock while simultaneously opening the door. It was Dad.

Dad, 1970s
Dad, 1970s

I don’t know what my father wanted, but I do remember that he, who was imposing in every sense of the word, looked at the book in my hand, paused, looked at me, gave a few seconds of life-threatening silence while pondering his next move and then asked, “Why are you reading that book?”

As often happens when you’re caught being gay without really realizing that’s what you were doing, my face flushed, my ears got red and hot, and I gave the illuminating answer most kids use when they don’t really want to talk about it: “I don’t know.”

“You’re reading it because your mother read it,” he says, which I took to be an indictment of the utter lack of masculinity attached to a biography of Judy Garland.

In that moment, I quickly surmised that I had been “found out.” As what, I wasn’t entirely sure, but I had a pretty good idea. “I guess I’m just interested in it,” was all I could finally get out. With that, Dad turned around, walked out and shut the door, completely dropping the original and unknown reason for his visit.

As if my bedroom decor wasn’t signal enough, I now see that my reading a biography of Judy Garland in 1974 at the age of twelve sent my dad’s gaydar off the dial. That day, while the boys on the street were playing football, I was was being outed by Judy Garland.

Note: A version of this story was previously published on the author’s former blog, Worth Repeating.

o last night i dreamed of you, johnny, my lover

couple-auden-poem-bw

Song X

O the valley in the summer where I and my John
Beside the deep river would walk on and on
While the flowers at our feet and the birds up above
Argued so sweetly on reciprocal love,
And I leaned on his shoulder; “O Johnny, let’s play”:
But he frowned like thunder and he went away.

O that Friday near Christmas as I well recall
When we went to the Matinee Charity Ball,
The floor was so smooth and the band was so loud
And Johnny so handsome I felt so proud;
“Squeeze me tighter, dear Johnny, let’s dance till it’s day”:
But he frowned like thunder and he went away.

Shall I ever forget at the Grand Opera
When music poured out of each wonderful star?
Diamonds and pearls they hung dazzling down
Over each silver or golden silk gown;
“O John I’m in heaven,” I whispered to say:
But he frowned like thunder and he went away.

O but he was fair as a garden in flower,
As slender and tall as the great Eiffel Tower,
When the waltz throbbed out on the long promenade
O his eyes and his smile they went straight to my heart;
“O marry me, Johnny, I’ll love and obey”:
But he frowned like thunder and he went away.

O last night I dreamed of you, Johnny, my lover,
You’d the sun on one arm and the moon on the other,
The sea it was blue and the grass it was green,
Every star rattled a round tambourine;
Ten thousand miles deep in a pit there I lay:
But you frowned like thunder and you went away.

Text: Song X from Twelve Songs – W.H. Auden, 1938
Photo: Unknown, 19th c.

that shadow my likeness

platt-lynes-nude-shadow

That Shadow My Likeness

That shadow my likeness that goes to and fro seeking a livelihood, chattering, chaffering,
How often I find myself standing and looking at it where it flits,
How often I question and doubt whether that is really me;
But among my lovers and caroling these songs,
O I never doubt whether that is really me.

Text: Walt Whitman
Photo: George Platte Lynes

it takes two men to tango

Although some will wish that the two men dancing the tango together in these two videos were a couple, in fact they are brothers. Natives of Argentina, Enrique and Guillermo de Faz, known together as Los Hermanos Macana, perform their two-man shows all around the world. Their amazing footwork, esprit and versatility on the floor put these two twenty-somethings in a dance class all their own.

Los Hermanos Macana: Mala Junta

Los Hermanos Macana: Tango New York Times Square

images from queer history create portrait of harvey milk

MILK, a ‘photomosaic’ of Harvey Milk, will be unveiled today in San Francisco.

Artist Robert Silvers used 2300 hundred photos from the GLBT Historical Society to recreate photographer Dan Nicoletta’s iconic photo of Milk, the San Francisco city supervisor and gay activist who was assassinated in 1978.

Prints of MILK are for sale through Scott Richards Contemporary Art, with a portion of the proceeds being donated to the San Francisco LGBT Community Center and GLBT Historical Society.

milk-482

image detail:

milk-detail-482

adieu to the carnivorous saint, harold norse

The world said goodbye last week to Harold Norse, one of the great American poets of the 20th century. He died at the age of 92 from natural causes.

A contemporary of Jack Kerouac and Allen Ginsberg, Norse was an undeniable member of the Beat poets although he never gained the fame of his confreres, a fact he regretted but took some personal responsibility for: “I won’t lift a finger to publicize my work. It has to come from the outside.”

Harold Norse, photo by Paul Bowl, 1962

He had close associations with many literary greats including James Baldwin, Gregory Corso, William S. Burroughs, Lawrence Ferlinghetti, Tennessee Williams and W.H. Auden (for whom he worked as a personal secretary). William Carlos Williams told him he was “the best poet of your generation.”

Norse lived his early adulthood in Italy and Paris, then spent the rest of his life in California, the last 39 years in San Francisco.

He is admired for being an outspokenly gay writer whose work unveiled unabashedly homosexual topics as early and the 1940s and 50s. Both his subject matter and his plain, straight-forward, American writing style cast him as a trailblazer early on. He worked right through to his later years, publishing his last collection of poems when he was 86 years old and even reading in public at the age of 90.

If you’re new to Harold Norse and want to get to know him, here are three good places to start:

Carnivorous Saint: Gay Poems 1941-1976 (1977)
Harold Norse: The Love Poems, 1940-1985 (1986)
In the Hub of the Fiery Force, Collected Poems of Harold Norse 1934-2003 (2003)

Harold Norse near the Bay Bridge, November 1972. Photo by Neil Hollier

I’m Not a Man

I’m not a man, I can’t earn a living,
buy new things for my family.
I have acne and a small peter.

I’m not a man. I don’t like football, boxing and cars.
I like to express my feeling.
I even like to put an arm around my friend’s shoulder.

I’m not a man. I won’t play the role assigned to me – the role created
by Madison Avenue, Playboy, Hollywood and Oliver Cromwell,
Television does not dictate my behavior.

I’m not a man.
Once when I shot a squirrel I swore that I would never kill again.
I gave up meat. The sight of blood makes me sick. I like flowers.

I’m not a man. I went to prison resisting the draft.
I do not fight when real men beat me up and call me queer.
I dislike violence.

I’m not a man. I have never raped a woman. I don’t hate blacks.
I do not get emotional when the flag is waved.
I do not think I should love America or leave it. I think I should laugh at it.

I’m not a man. I have never had the clap.
I’m not a man. Playboy is not my favorite magazine.
I’m not a man. I cry when I’m unhappy.
I’m not a man. I do not feel superior to women
I’m not a man. I don’t wear a jockstrap.
I’m not a man. I write poetry.
I’m not a man. I meditate on peace and love.
I’m not a man. I don’t want to destroy you.

San Francisco, 1972

itunes showcases digital gay pride parade

apple-logo90gay-pride-banner-itunes

Apple’s iTunes is getting its gay on right now with a virtual pride parade in honor of Gay Pride Month.

A rainbow-flag banner is featured prominently on the front page of iTunes on both the U.S. and Canada versions of the service. Users who click on the banner are served up a curated collection of GLBT-related music, audio books, video, podcasts and iPhone/iTouch apps.
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Given the subjective nature of compilations and the space limitations that iTunes assigns to its collections, the music, books and video offerings are quite random. Lacking any theme other than “this stuff is gay,” there is an air of cliché that hovers over the picks. Even so, if Gay Pride is about the GLBT community being visible, Apple’s efforts, as general as they might be, are welcome.

There are several gems in the music collection. If your iPod is absent some classic albums, adding the ‘Best of Freddie Mercury’, Sylvester’s ‘Original Hits’ and the Village People’s ‘Macho Man’ are three must-haves for anyone wanting to pay proper homage to the heady days of the post-Stonewall 70s.

itunes-gay-pride-music

More modern audiences can nab some of the gay-latest like DJ ‘Bob Mould’s Life and Times’, ‘Yes’ by the Pet Shop Boys, and Michelle Shocked’s gorgeous new release, ‘Soul of My Soul.’ If you are looking to discover some truly queer — and more obscure — selections, try ‘The Essential Pansy Division’ (explicit, with a sense of humor), music maverick Arthur Russell’s ‘Love Is Overtaking Me,’ or ‘Rising Free, the Very Best of the Tom Robinson Band,’ whose cutting-edge work remains under appreciated. Read More »

the doom of beauty

lynes-tooker

CHOICE soul, in whom, as in a glass, we see,
Mirrored in thy pure form and delicate,
What beauties heaven and nature can create,
The paragon of all their works to be!
Fair soul, in whom love, pity, piety,
Have found a home, as from thy outward state
We clearly read, and are so rare and great
That they adorn none other like to thee!
Love takes me captive; beauty binds my soul;
Pity and mercy with their gentle eyes
Wake in my heart a hope that cannot cheat.
What law, what destiny, what fell control,
What cruelty, or late or soon, denies
That death should spare perfection so complete?

‘The Doom of Beauty’ by Michelangelo Buonarroti (1475-1564)
Translation by John Addington Symonds (1840-1893)
Photo: George Platt Lynes (1907-1955)


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