i like my body when it is with your

vintage-gay-threshold

i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh … And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new

Text: e.e. cummings
Image: Photographer and subjects unknown
via picassoswoman/flickr

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perfection wasted

tobias-flore-paris-vintage-

And another regrettable thing about death
is the ceasing of your own brand of magic,
which took a whole life to develop and market–
the quips, the witticisms, the slant
adjusted to a few, those loved ones nearest
the lip of the stage, their soft faces blanched
in the footlight glow, their laughter close to tears,
their tears confused with their diamond earrings,
their warm pooled breath in and out with your heartbeat,
their response and your performance twinned.
The jokes over the phone. The memories packed
in the rapid-access file. The whole act.
Who will do it again? That’s it: no one;
imitators and descendants aren’t the same.


Text: Perfection Wasted, John Updike
Photographer: Herbert Tobias, ‘Le Flore,’ Paris, 1952

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friendship

dapp-vintage-gay-sacrifice

Character is so largely affected by associations that we cannot afford to be indifferent as to who and what our friends are. They write their names in our albums, but they do more, they help make us what we are. Be therefore careful in selecting them; and when wisely selected, never sacrifice them.

Text: M. Hulberd
Image: Photographer, subjects unknown via daviddb/flickr

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à quoi ça sert l’amour?

Piaf’s finest.

Edith Piaf and Théo Sarapo, 1962
Words and music: Michel Emer

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i invited him to choose between women and me

vintage-gay-take-my-arm-hil

I invited him to choose between women and me. I thought he was going to choose me and that he’d strive to renounce them. I was in error. “I risk making a promise,” he replied, “and not keeping it. That would pain you. I don’t want you to be in pain. Breaking off would hurt you less than false promises and lies.”

I was leaning against the door and I was so pale that he was frightened. “Good bye,” I murmured in a dead voice, “good bye. You gave my existence a meaning and an orientation and I had nothing else to do but lead it with you. What’s to become of me? Where am I to go now? How shall I ever endure waiting for night to fall and after it has fallen, for day to come, and tomorrow, and the tomorrow after that? How shall I pass the weeks?”  I saw nothing but a room swimming on the other side of my tears, and I was counting on my fingers like an idiot.

Suddenly he came to himself, waking as though from a hypnotic spell. He sprang from the bed upon which he’d been biting his nails, he clasped me in his arms, begged me to forgive him and swore he’d send women to the devil.

He wrote a letter to Madame V***, informing her that it was all over. She feigned suicide by absorbing the contents of a tube of sleeping pills, and we lived for three weeks in the country, having given no one our address. Two months went by, and I was happy.

It was the eve of an important religious holiday. Before repairing to the Holy Repast my custom was to go to have my confession heard by Father X***. He was virtually expecting my arrival. Crossing the threshold, I warned him that I’d come not to confess but to relate; and that, alas! I knew in advance what his verdict was going to be.

“Reverend Father,” I enquired of him, “do you love me?”

“I love you.”

“Would you be happy to hear that I find myself happy at last?”

“I’d be delighted.”

“Well then, rejoice, for I am happy, but my happiness is of a variety the Church and society disapprove, for it is friendship that causes my happiness and, with me, friendship knows neither boundary nor restraint.”

Father X*** interrupted me. “I believe, said he, “that you are the victim of scruples.”

“Reverend Father,” I rejoined, “I’d not insult the Church by supposing that she negotiates compromises or omits to cross the t’s and dot the i’s. I am familiar with the doctrine of excessive friendships. Whom can I deceive? God sees me. Why reckon the distance in fractions of an inch? I am on the downgrade. Sin lies ahead of me.”

“My dear child,” Father X*** told me in the vestibule, “were it but a question of jeopardizing my situation in heaven, the danger would be slight, for I believe that the goodness and mercy of God exceed all that we can imagine. But there is also the question of my situation here on earth. The Jesuits watch me very closely.”

We embraced. Walking home beside the walls over which poured the scent of gardens, I considered God’s economy and deemed it admirable. According to the divine scheme, love is granted when to one love is lacking and, to avoid a pleonasm of the heart, denied to those who possess it.



Text: Jean Cocteau, The White Paper (Le Livre Blanc), (1928), excerpt
Image: Subjects/photographer unknown, via Osvaldo_E/flickr

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tango: black and white and gay all over

“Argentine Tango is to lead and follow, to step to & fro, to turn right & left, to move together as one body.

To Tango is to trust, to pause, to dance in a close embrace, articulating the unfolding of desire into passion.” — Dr. Hugo Heyrman



Film: All-male dance sequence from ‘Tango,’
written and directed by Carlos Saura
Music: ‘Calambre’ by Astor Piazzolla
Choreography: Julio Bocca
Principal Dancers: Julio Bocca & Carlos Rivarola
Clip/title hat-tip: Greg

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i’d know you anywhere from my dreams

gay-hunks-grin-482

I’d know you anywhere, I’d know that grin,
I’d know you anywhere when you walked in,
I would tingle with a single glance in your eye,
Watching the starlight dance in your eye.
You saw my vacant stare, you understood,
I’d love you anywhere, honest I would,
I was certain this would happen, strange as it seems,
I’d know you anywhere from my dreams.


Text: Song lyrics by Johnny Mercer
from the 1940 film ‘You’ll Find Out’
Image: Unknown photographer/subjects, via SeattleTim/flickr

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may you give it to me and I not beg it from you

love-me-not-vintage-gay-482

I want to cry my pain and I am telling you so you will love me and cry for me in a nightfall of nightingales with a dagger, with kisses and with you.

I want to kill the only witness to the assassination of my flowers and change my weeping and my sweating into an eternal mound of hard wheat.

May there never be an end to the the skein of I love you you love me always burning with day, scream, salt and old moon, may you give it to me and I not beg it from you it will remain for the death that casts not even a shadow for the shivering flesh.




Text: Frederico Garcia Lorca, The Poet Speaks the Truth,
an excerpt from Sonetos Del Amor Obscuro (1935-36).
Translated by David William Foster
Image: circa 1930s, Pacific Navy Mariners via Muscl_mc/Flickr

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all houses wherein men have lived and died are haunted

All houses wherein men have lived and died
Are haunted houses. Through the open doors
The harmless phantoms on their errands glide,
With feet that make no sound upon the floors.

ghost-spirit-vintage-hastin

We meet them at the door-way, on the stair,
Along the passages they come and go,
Impalpable impressions on the air,
A sense of something moving to and fro.

There are more guests at table than the hosts
Invited; the illuminated hall
Is thronged with quiet, inoffensive ghosts,
As silent as the pictures on the wall.

Gay-Party-vintage-seattleti

The stranger at my fireside cannot see
The forms I see, nor hear the sounds I hear;
He but perceives what is; while unto me
All that has been is visible and clear.

We have no title-deeds to house or lands;
Owners and occupants of earlier dates
From graves forgotten stretch their dusty hands,
And hold in mortmain still their old estates.

man-spirit-hands-solitaireM

The spirit-world around this world of sense
Floats like an atmosphere, and everywhere
Wafts through these earthly mists and vapours dense
A vital breath of more ethereal air.

Our little lives are kept in equipoise
By opposite attractions and desires;
The struggle of the instinct that enjoys,
And the more noble instinct that aspires.

halloween-gay-vintage-seat2

These perturbations, this perpetual jar
Of earthly wants and aspirations high,
Come from the influence of an unseen star
An undiscovered planet in our sky.

And as the moon from some dark gate of cloud
Throws o’er the sea a floating bridge of light,
Across whose trembling planks our fancies crowd
Into the realm of mystery and night,—

man-spirit-floats-nmediamus

So from the world of spirits there descends
A bridge of light, connecting it with this,
O’er whose unsteady floor, that sways and bends,
Wander our thoughts above the dark abyss.


Text: Haunted Houses, Henry Wadsworth Longfellow, 1807-1882
Images:
Ghost Visit: Henri Robin & A. Specter, 1863, via hastingsgraham/Flickr
Gay Halloween Party, subjects unknown, via SeattleTim/Flickr
Spirit Hand Job, subjects unknown, Solitaire Miles/Flickr
Gay Men in Costume, subjects unknown, via SeattleTim/Flickr
Spiritual Vision, 1920s, subject unknown, National Media Museum

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If he asks about me, say that I have died

man-bathtub-vintage-gay-482

If he asks about me, trace on the ground
a cross of silence and ashes
over the impure name that afflicts me.
If he asks about me, say that I have died
and that I am decaying beneath the ants.
Tell him that I am a branch of an orange tree,
the simple weather vane of a tower.

Do not tell him that I still cry
embracing the hollow of his absence
where his blind statue stood imprinted,
always waiting for the body to return.
The flesh is a laurel that sings and suffers
and I waited in vain beneath his shadow.
It is already late. I am a deaf minnow.

man-bath-gay-2

If he asks about me, give him these eyes,
these grey words, these fingers:
and the drop of blood in the handkerchief.
Tell him that I have lost myself, that I have become
a dark partridge, a false ring
or a bank of forgotten camel grass;
tell him that I fade from saffron to iris.

Tell him that I wanted to prolong his lips,
live within the palace of his forehead.
Navigate one night in his hair.
Learn the color of his pupils
and smother myself slowly in his chest,
submerged nightly, listless
in the murmur of veins and mute.

man-bath-gay-3

Now I cannot even see although I implore
the body that I dressed with love,
I remain steadfast, broken, detached.
And if you all doubt me, believe the wind,
look north, ask the sky.
And they will tell you if I still wait or if I am becoming night.



Image: Subject unknown, Europe, 1910s, via dcwooten/flickr
Text: Emilio Ballagas (1908-1954), Nocturne and Elegy, excerpt
Translated by Arango-Ramos and William Keeth

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